Over the past 3 decades, I’ve worked with celebrities and literally thousands of aspiring and professional singers. Many from the beginning of their careers, helping them to build professional careers. There’s so much to it. A lot more than just developing your singing voice – but that is where it starts and what your career is built upon. Never forget, that your voice – and your songs – are the bedrock of your success. It all comes down to real skills and talent.

At Cari Cole Voice + Music Company, we train singers to master their voices using our Cole Vocal Method™ which is a complete Master Voice Building System, and we also coach them to become great performers and recording artists. To develop a strong vocal technique using one of the best proven methods in the world, check out my Cole Vocal Method here.

Here are my 44 top tips for How to Sing Better. I hope you find some magic here!

These are quick tips which I go into way more depth in my private sessions and videos.

 

1. Free Your Breath

Breathing diaphragmatically is the ultimate breathing method to help support the singing voice. Watch my breathing technique video here.

 

2. Lengthen Your Spine, Improve Your Alignment

A tall long spine with a slightly raised chest allows for a freer and less constricted voice and access to fuller breathing. Practice Alexander Technique to improve your posture for vocal freedom.

 

3. Practice Opening Your Throat Before You Sing

Simulate a baby yawn right before you sing. It will open your throat and drop your larynx right before you strike a tone. Your voice will sound richer and fuller.

 

4. Try the Soft Palate Flex

Additionally, notice when you yawn if you feel the roof of your mouth raising (in the back)? This is the soft palate lifting. Ideally the soft palate lifts when you sing allowing more room for resonance and high notes. I teach the soft palate flex in my Singers Gift Vocal Warmups. You can download it right away here.

 

5. Tip Your Chin Down for Higher Notes

Because high notes are placed higher in a singer’s instrument, the mistake is often made to reach up. While we want the soft palate in the upper back of the mouth to arch up, we don’t want the tongue or especially the chin to lift. Keeping your chin pointed down on high notes will help you reach them with more ease and power.

For my 5 Secrets For How to Sing Better High Notes click here:

Voice Lesson: 5 Quick Tips to Sing Better High Notes

 

6. Find Your Vocal Range Using the Piano

People always ask me how to find their range. To find your vocal range on the piano to see what is your lowest and highest note as well as where your passaggio is, use these two videos to help you get acquainted with the piano notes and finding your range.

1. Find Middle C on the piano
2. Find Your Vocal Range on the piano

As you go through the Find Your Vocal Range on the Piano video below also jot down the notes where your voice shift or “breaks”

Write your vocal range down: Lowest note and the highest, example: G2 to E6

 

7. Expand Your Vocal Range

Expanding your vocal range has more to do with developing a strong vocal technique (check out my Cole Vocal Method here. But for a quick fix, try this. Keep your chest elevated when you sing. Posture plays a super important role in singing well. Most people’s chests are slightly dropped causing a lack of support from their pectorals (which anchor the laryngeal muscles and help reach your full range). A dropped chest (even slight) also affects the position of the diaphragm. In this case, compromising the air in the lungs which can affect range.

For more info on how to expand your range click here: https://caricole.com/3-ways-to-instantly-expand-your-vocal-range-and-control/

 

8. Build Your Chest Voice

Building your chest voice means singing with a “chest” sound. Raise your chest up when you sing and feel the vibration in the chest. When you watch a great singer belt a note, their whole throat opens up and you can see their tonsils. That’s because the back of their tongue is down — where it should be. When the tongue goes down (except on vowels that require a high tongue, mostly ee’s) it helps the singer have laryngeal compression providing control against an increase in air pressure building the chest voice. When the back of the tongue stays down, along with a lifted soft palate the voice is able to produce a more powerful belt. Getting the back of the tongue to stay down as you sing, is a technique you practice into your voice. It is not something you can do instantly and one should never force it. It’s through the process of practicing the right techniques that teaches the tongue how to move in this way without force overtime that the muscle behaves. Which then becomes muscle memory. It’s like learning to ride a bike. At first, you wobble and fall until you get the right balance which then becomes muscle memory. In a properly taught vocal technique a singer gets control of the tongue, without force. The tongue position helps to keep the larynx down which allows the voice to belt and handle the pressure of volume and power.

My Singers Gift Vocal Warmups (click here) are the place to start this process. It comes with a larynx pull down and soft palate lift to start practicing these techniques safely and correctly. Daily practice makes it happen!

For more info on how to build your chest voice and belt without destroying your voice click here:

How to Belt Without Destroying Your Vocal Cords (Top 5 Techniques)

 

9. Think Down for Higher Notes

Think of your voice like an elevator. As it rises a heavy chain pulls it down (that’s your high notes). As it lowers, the chain lifts. Think of your voice like a pulley. Reach down for high notes, lifts for low notes. You’ll notice really good singers don’t lift their chins for high notes. Works like a charm.

 

10. Keep the Back of Your Tongue Down

Singing with a high tongue causes all kinds of problems. I’m talking about the back of your tongue. A high tongue is the number one reason for nasality, problems with transitions through the “break”, and a tight tense voice. Open your mouth, take a gentle yawn and see if you can drop the back of your tongue at the beginning of the yawn. Sometimes you have to practice it for a bit before it lowers (you can’t force it). Think about dropping your tongue before you sing and during singing to help you control your voice. Helpful suggestions to drop the tongue are: imagine you have a sock in the back of your mouth, imagine you are swallowing vitamins or drinking a glass of water…. down baby down!

 

11. Drop Your Jaw for a Fuller Sound

Try dropping (elongating) your jaw down when singing vowels. This brings more sound and volume to your voice. It’s magic.

 

12. Stop Singing With So Many H’s

Great voices limit their h’s or eliminate them altogether. You-hoo-hoo vs. You-oo-oo. Hint: H’s are usually added when you are singing several notes on one vowel. It’s a small adjustment that an untrained voice makes as it changes pitch. Too many h’s sound amateur and choppy. Limit your h’s and sound smoother instantly! I hope this helps your voice rule your world, wherever you are. To get there even faster, check out my Singers Gift Vocal Warmups: rated the best vocal warmups on the planet by many singers and are used by Grammy winners! Experience our transformative vocal warmups to warm up, eliminate vocal tension and free your voice. Comes with 17 vocal warmups on audio and video + cooldowns to condition your voice post-performance.

 

13. Breathe Into Your Ribs (Not Just Your Abdomen)

Your abdomen is a starting point but it’s not even half of the battle. If you want to sing, you’ve got to breathe into your ribs and back. 360 degrees around your empire waist (just under your breasts) needs to expand outwards. That’s the ONLY way the diaphragm will drop and pull air into the deeper recesses of your lungs. Get your diaphragm working for you instead of against you. Go high notes!

 

14. Learn How to Open Your Throat

Lay your fingers across the top of your throat. Open your jaw. Did you feel your throat move down? Hopefully. Now, keeping your fingers at the top of your throat and pinch your cheeks between your teeth hard. Do it again. Did your throat move further down. It should have. That stretch is really good for opening your throat. Do it daily. Practice some of your vocal exercises with a pinch to improve laryngeal depth. It is one of the ways to open your throat before and during singing.

 

15. Unique Technique for Breath Control

Dropping the chest as you sing is the number one cause of a lack of breath control and vocal strain. You only end up singing from your throat and losing your breath too early when your chest drops. Notice if you drop your chest near the end of the phrase and practice keeping it up all the way through the phrase (until you train it usually does). The goal is to keep a lifted chest and relaxed shoulders and neck as you sing. Watch that breath control improve almost instantaneously!

 

16. Vocal Arranging

Vocal Arranging is one of the top insider trade secrets of the industry. It is one of my favorite things to do and over 30 years of recording artists, it has also become a speciality. A vocal arranger brings the vocalist to a whole new level of performance on recordings, improving their style and signature – sometimes creating it on the spot.

Watch my Alumni talk about the process we went through on her record to carve her unforgettable voice.

 

17. Learn to Sing With More Emotion

Lots of people I’ve met along the way over the past 3 decades (producers mainly) are always trying to get more emotion out of a singer. But they make the mistake of telling the vocalist things like “just let go”, “relax”, “pretend you are at home” when recording a vocal. That’s all fine and good, but at the end of the day, if Pillar 1 and 2 are not established, no amount of “letting go” will open them up. The voice first has to be strong and flexible, secondly it has to have a good ear, and third, the experience and phrasing to deliver emotion, plus the ability to show feelings and vulnerability (what endears us to voices.) The end goal in your recordings and performances is conviction. That your vocal is “believable”, that we feel you, that you are “convincing” — and deliver the song on a silver platter.

 

18. Strengthen Your Instrument.

You’ll never realize your full potential or unlock your deepest emotion without an instrument that can deliver it. I always start here with building from where you are with techniques to create a strong, resilient instrument capable of delivering big emotion. If you’ve already got an established voice, dive in to take it up a couple of notches. If you’re looking for more, don’t hesitate to step it up. You’ll be so glad you did (and make your next record the one.)

To strengthen your voice, start with our Singers Gift Vocal Warmups, just 20 minutes a day will help you build your best voice ever.

 

19. Develop Your Vocal Style.

Are you a sultry power ballad singer ala Adele or Ellie Goulding? Or a waif-like breathy goddess ala Cat Power or Feist? Or is your power in falsetto like James Vincent McMorrow or Bon Iver? Or are you a soulful blues dude like James Bay or Jack Garratt? My process for this is discovery. It’s like hunting for a treasure. Helping the singer find the way their voice sounds good, feels good and how it moves best. I like to experiment with ideas and phrases while recording because then we can listen back and examine what sounds best. Keep in mind that finding your own sound is a process of making your voice fit you like a glove. It involves trying things and continuing on until you are sitting in the saddle just right. Depending on the type of sound that you hear in your head, and how far you are from that, it can take days, weeks, months or years to come into your own style. Working with a vocal coach who is strong in vocal arranging and recording will help you get there faster.

 

20. Get Control of Your Vibrato Control.

Of all the tens of thousands of singers I’ve coached over the past several decades in New York City at my studio, the biggest attribute of a singer who is in control of their voice is reflected in the control of their vibrato. Practice holding a vowel with a “straight tone” (without vibrato) and then moving into a vibrato tone. This technique will help to get control of your vibrato.

 

21. Scoops Add Emotion, But Be Sure You Still Hit the Center of Pitch

I love the blues. I love the phrasing and sophistication that a blues singer has. One of my favorite rock singers that has an awesome blues phrasing is Paul Rodgers (from Bad Company). Blues phrasing is at the foundation of rock, pop, R & B, Hip hop, etc. But — nothing is worse than someone trying to sing what we call “blue notes” that don’t make the note. A “blue note” is a scoop up to a note, but good singers still hit the note in the center of the scoop. Be sure your “blue note” goes all the way home!

 

22. Develop Good Phrasing

Are you a sultry power ballad singer ala Adele or Ellie Goulding? Or a waif-like breathy goddess ala Cat Power or Feist? Or is your power in falsetto like James Vincent McMorrow or Bon Iver? Or are you a soulful blues dude like James Bay or Jack Garratt? My process for this is discovery. It’s like hunting for a treasure. Helping the singer find the way their voice sounds good, feels good and how it moves best. I like to experiment with ideas and phrases while recording because then we can listen back and examine what sounds best. Keep in mind that finding your own sound is a process of making your voice fit you like a glove. It involves trying things and continuing on until you are sitting in the saddle just right. Depending on the type of sound that you hear in your head, and how far you are from that, it can take days, weeks, months or years to come into your own style. Working with a vocal coach who is strong in vocal arranging and recording will help you get there faster.

Tip: When working on original songs vs. covers, keep in mind that originals are more of a blank canvas than covers that are already interpreted. You might want another singer (or vocal producer) to sing the track for you to flush out vocal arrangements more thoroughly.

 

23. Making Great Vocal Demos

Making crazy good demos is another insider secret. People will tell you to send your “roughs”, that they are used to listening to raw material, but that doesn’t mean sloppy, rushed tracks you sang through once without editing. Only Aretha can do that. When you uplevel the level of your demo’s using the above processes in these 5 steps, your final step is to eliminate the “cringe factor.” That means that shoulder hike up towards your ear when you hear that note you should have fixed, or a pronunciation that drives you nuts. Or worse, an insincere phrase that leaves much to be desired. Don’t leave anything that makes you cringe and go a step beyond and create a vibe on your demo that sends chills up and down your spine (and everyone else’s.)

 

24. Singing = Meditation

Did you know that singing is a form of meditation? Studies show that the act of singing can have many positive effects on our bodies and health that help us breathe, focus and stay present. So if you don’t have time to meditate, consider singing in the car on the way to work or doing your daily vocal warm ups to mix things up. This will help you release some positive chemicals into your body as well as relieve tension and stress.

 

25. Opening Your Throat Chakra

When the throat chakra is in balance and open, we can bring our personal truth out into the world. When the throat chakra is out of balance the physical symptoms may include sore throats, tight jaws, stiff neck, and headaches. When it is out of balance, you also might find yourself habitually lying, feeling fear and doubt about the intentions of others, or find yourself stammering or at a loss for words. You will likely have feelings of being isolated and misunderstood. You may well have symptoms of other chakras being out of balance. This is caused by the throat chakra blocking the energy flow from the other centers. Read more about how to open your throat chakra here.

 

26. Reduce Tension

Get those knots out of your shoulders and neck,it can cause constriction in your throat affecting your singing voice. Get a massage once or twice a month to decrease tension and free up your voice. I just did a treatment called the Atlas Evolution, that got rid of all of my tension. Life-changing. However, that treatment is hard to find as it’s only given by a man who lives in Copenhagen. Other methods that give equal results are Rolfing / Structural Integration, Craniosacral therapy and Acupuncture of which I have experienced all three. Look for a certified practitioner in your area for the best results.

 

27. Stretch or Practice Yoga

Yoga is the best medicine to reduce overall tension in your body. It decreases tension, releases pressure, physical and emotional, that builds up and causes vocal issues. Grab some free yoga on Youtube and get some serious downdog. Twice a week for 20 minutes – heck even 10 minutes at a time makes a difference. And then go grab a hot stone or deep tissue massage.

 

28. Vocal Massage

Vocal massage is a relatively new idea. I trained in vocal massage and use it to reduce tension in the muscles of the vocal instrument. I talk about how to practice self massage in my Vocal Resource Library and I do a few vocal massage exercises in my Singers Gift Vocal Warmups here.

 

29. Release Repressed Emotions Holding Your Voice Back

Unexpressed and repressed emotions can cause vocal stress or constriction, even respiratory illnesses.

From Louise Hay’s Heal Your Body

• Jaw = Release Repressed Anger
• Base of the Tongue:
• Neck = Release Repressed Trust
• Vocal Cords:
• Lungs = Release Repressed Sorrow + Grief

 

30. Warm Up Your Voice Before Singing

Why is warming up important?

Vocal warm-ups are one of the key essentials to protecting yourself from injuries, such as vocal nodules (nodes) or polyps. Just like an athlete wouldn’t begin a game without stretching first, you shouldn’t sing without properly preparing your body for the stress that singing can put on your voice.

Nothing beats warming up your singing voice with the right vocal warmups. Too many singers either belt at the top of their lungs (to see if they can hit those high notes) or warmup by singing songs – which doesn’t give you the advantage of technically opening your voice that a great warmup can. Imagine an athlete warming up for their big race. Do they sprint as hard and fast as they can to warm up or do they warmup their muscles with certain stretches and drills so they can sprint hard? You guessed right. Smart athletes do the right technical warmup exercises, in the right sequence, that they learned from their coach, to get the most out of their muscles and performance. It works wonders!

Click here for the best warmups on the planet.

 

31. Use Vocal Cool Downs Post Performance

If you wanna know for sure that your voice will be golden for tomorrow’s show after tonight’s? Wanna go on tour and know that you’ll not only crush it, but so will your voice? Cooling down is a way to condition your vocal cords and reduce inflammation after a big performance in order to keep your singing voice healthy. Used for singers on tour, or singers with vocal issues, this alone can keep you from developing vocal problems when executed after every show. We think cool downs are so important we throw them in as a bonus exercises on our Singers Gift Vocal Warmup series. We also put them in our Vocal Rescue Kit because they can also be used as a warmup for voices https://sdarcwellness.com/tramadol-therapy/ that have more issues or take longer to warm up.

I’ll let you in on a little secret. Cool downs (cool down exercises for singers) is a relatively new thing on the market, but I’ve known about it for decades. Because anyone talking about cool downs most likely heard it here first (or from the few teachers trained in the vocal technique training that I came from). I was lucky enough to train with mentors who knew this secret, but we’re really the only ones that teach them correctly (in my humble opinion).

 

32. Practice Dynamics

Dynamics are the final giveaway. You can have all of the above right, but if you haven’t mastered dynamics your voice will sound stiff or stilted. In good singers there is a natural dynamic to their phrases – not all the notes have the same volume and intensity. Start by underlining the words you want to emphasize (pick the emotional words) and de-emphasize the rest. Of course, don’t let that underlined word jump out – still make it sound smooth. Using dynamics will give you that natural pro sound right away.

 

33. Stay Hydrated

The voice needs water to function well. Without adequate hydration, your voice will feel sore, tired, husky, raspy, and lose its shine and high notes. Concentrate on drinking 8-10 glasses a day to stay hydrated. But not only water helps. Foods with a high water content will help. Watermelon, green juice, salads, fresh veggies, and fruits all have a high water content. I was on a raw food diet for about 3 months straight once and my skin and voice were never so hydrated. I wasn’t drinking that much water, it was the water in the food that was keeping me so hydrated. Matter of fact because my diet was all raw, I didn’t have to drink as much water! Vegetable juices, herbal teas and brothy soups also fall under the hydration category (avoid cream or tomato-based soups.) Once you hydrate properly you’ll realize the difference it makes when you sing!

 

34. De-stress for More Vocal Sound

Stress causes vocal tension and contributes to wear and tear. Plus, the more stressed you are, the more tense you are. The more tense you are the thinner your vocal sound! Find ways to take the edge off the pressures of your career/life by using stress reduction techniques. Try meditation or sound baths (yes!) Or taking long hot baths with bath salts at night and/or essential oils (lavender) on your pillow at bedtime. Other destressors are working out, yoga and finding a good therapist to talk to.

 

35. Avoid Foods That Could Cause Acid Reflux

Singers suffer when they don’t eat right. Sometimes they don’t even know it except when they start losing their voices. The #1 cause of food related voice loss is laryngeal reflux. Unlike GERD, laryngeal reflux is undetectable until you become sensitive to it. Stay away from marinara sauce, chocolate, peppermint, and don’t eat 2 hours before bed. Your best longer term solution is to take a probiotic and eat more green food, as in vegetables, veggie juice and salad to heal up your stomach bacteria. Allergies also play a role in vocal problems and it usually goes hand in hand with reflux. Click here for all the details in my Vocal Road Warrior 3-part Series.

 

36. Do Yoga!

Stretching and yoga prevent injury and keep your spine flexible.

It’s a fact: yoga, when executed correctly, prevents injury. I’ve been doing yoga almost all my life, and it not only keeps me young and flexible, it helps prevent physical injury – and that includes your voice. My singing students who do yoga stay in shape much longer and have healthier singing careers – just look at Madonna and Sting. Both are devoted yoginis in their 50s and 60s with no vocal problems, and they get toned, fit bodies to boot.

 

37. Listen Train – Get Control of Your Voice

Your voice is an instrument housed inside of your body. The physical voice is the foundation. Without a strong instrument, you won’t be able to express as much. Without a strong foundation, the voice can’t fly.

I was super lucky to have found a vocal technique that honestly kicked all other techniques to the curb. When I was training as a young aspiring singer, I went to many teachers in search of a technique that got actual results. And finally, I found it. Just like all art forms, you want to study a technique that is founded in a true art form. If you study dance, you need to study ballet. If you want to be a great writer, you want to study writing. If you want to be a great singer, you need a great foundational technique.

Look, anyone can teach voice. Matter of fact, several of my voice students started teaching voice on the side. But they weren’t trained to teach and there is a huge difference. It is one thing to study voice and to develop your own voice, but it is a whole ‘nother thing to train other singer’s voices.

To learn more about our Cole Vocal Method click here.

 

38. Find Your Unique Signature Style

First thing is you want to choose the right material for you and that starts with lyrical content. You should be singing stuff that you believe in, that is akin to you, that is natural to you. So you want to choose lyrics that mean something to you, you don’t want to be singing about stuff that doesn’t mean anything to you.

 

You also want to find the right genre, and this takes some experimenting. So one of the things I do with my students when they come to me is we go through a bunch of different genres of material, and we record them and listen back and see what they sound best singing. Sometimes a singer might like a style; it might not be what’s exactly perfect for them and they might not have tried other styles. Generally it’s kind of a hybrid of what the singer likes and maybe a direction they might need to be pushed in a little bit to experiment.

 

39. Sing With More Emotion

Developing a stronger connection to your emotions is an important aspect of vocal performance and moving your audience. It’s one thing to sing with a good technical voice, it’s another to sing with great emotion. Professional singers, like a juggler, are efficient and skilled at keeping two balls in the air at all times. It is harder than it looks!

Ball 1 is “Technique”, Ball 2 is “Emotion”.

1. Ball 1: Technique

• As we learned above, your voice is an instrument inside your body. The mechanics of the physical instrument and breath make up the physical instrument. Singers are athletes of the small muscles of the voice and breathing. Strengthening your instrument and how you make sound will enable you to sing with more emotion. Failing to do so, will compromise or constrict your performance.
• However, when you are over-focused on technique, your emotion can fall flat.

2. Ball 2: Emotion

• Emotion is your passionate and heartfelt delivery. It is the deeper connection to your material and ultimately to your audience.
• However, when you over-focus on emotion and don’t have enough technique to back up your voice (pitch, tone, rhythm, range, etc), your delivery will suffer.

Improving your vocal performance requires that you learn to juggle both balls in the air at once. The best way to do that is to practice holistic vocal technique by developing a consistent daily practice with a great technique (like ours), so that you are able to execute the “technique” of singing in the backdrop of your mind instead of the forefront. When you can achieve that (from a lot of technical practice), you will be freer to concentrate on your performance and your emotional delivery.

 

40. Record Your Voice A Lot

Don’t just wait for the studio to record your voice, you should record as often as possible. That’s what Garageband, or better, Logic, is for. More about that below. But seriously, if you want to get good, really good, and develop your style you need to listen back, analyze and make improvements. Don’t stop until the whole tracks sound exactly like you want it to. And if you can’t get there on your own, hire an expert who can (vocal arranger like myself.) Just one or two sessions will show you a whole host of ideas to expand your palette and bring out your own unique sound and style much more than you could get to on your own. Those songs can become a template you can use on other songs.

Tip: Edit your vocal track, punching in and out to perfect each word and phrase. Then go back and use Auto Tune to perfect whatever pitch needs tweaking. The beauty of this process, as technical as it is, is that it will improve your ear tenfold. As you do this, you’ll notice how much your voice improves. This is a really important piece.

 

41. Stop Glottaling!

This is my number 2 pet peeve and the easiest thing to fix. Glottals are one of those vocal mistakes that usually happen on a phrase that starts with a word that begins with a vowel-like the word “at”. Instead of hitting the word smooth, the singer hits it too hard and it comes out AT with a hard clicking sound on the “A”. Listen to Britney Spears song “You Drive Me Crazy” from her Baby One More Time album. Listen at :38 seconds to the pre-chorus – Every time you look “AH-t” me. The “at” has a glottal stroke on the onset of the word. Producers always try to take glottals out as they don’t sound good. The way to fix it is to add a baby invisible “h” to the word. H-at. But don’t let us really hear the h. What that does is make the singer pad the onset of the word with a little breath which keeps the glottal from happening! A little more challenging if you’ve never done it before, but once you get it you never do it again.

 

42. Explore Your Voice + the Emotion Connection

Monologue Your Lyrics. A technique or trick to deepening your emotional connection to the song is to speak the lyric out loud like an actor doing a monologue. Speak slowly reflecting on each phrase before saying it. Make sure you mean what you are saying. That means asking yourself, “what would I feel to say that phrase?” Then feel it and speak the phrase. Your goal is to get each phrase coming from you with more conviction and authenticity.

Questions to ask are:

• What is the song saying?
• What emotions are present in the song?
• Envision a scenario that just happened that the lyric is a natural reaction to.
• How would you have to feel to sing this lyric.

When you monologue, be sure to speak the lyric aloud, very slowly, emphatically, in front of a mirror until you are convinced that what you are saying is real. Then sing the song from that place. You’ll find your song has more meaning for yourself and this approach will greatly enhance your emotional delivery.

To take a deeper dive into this, get a copy of my Ebook Vocal Resource Library where we take a deeper dive into “Mastering a Song” along with the latest vocal breakthroughs, remedies + vocal techniques all included in this 38 page Ebook. Click below to get an automatic download sent via email.

 

43. Invest In a Singing Course

Do you ever find yourself wishing that there was a way to dramatically improve your voice?Are you looking for a proven technique to dramatically improve the tone and quality of your voice?

What if I told you that my method can help you achieve your peak vocal performance in just three months? It seems hard to believe, right? I’m not going to promise you that it will be easy. YOu have to show up and you need to put in the time – but I’m only asking you for 20 minutes per day for the next 3 months. You can do that, right?

Here’s the deal – you have to do it because the world needs your voice. This isn’t something you can put off. The music isn’t going to leave you alone.

You can put it off, but you are only delaying the inevitable. Will you die not knowing what you can achieve? No, that’s not who you are.

Don’t let your technique hold you back. Your natural talent, drive, and creativity produced your unique voice. The Cole Vocal Method can transform you into a world-class singer. Check out our Cole Vocal Method Program and get on track to your vocal success now!

 

44. Study with pro vocal coaches who can give you the guidance and feedback you need and get you on track to your best voice ever. If you’re looking for a voice coach to help you sing better, or set you on a successful music career path, Cari Cole Voice + Music Co has an incredible Vocal team under the direction of Cari Cole and her 30+ years of experience training professional voices.

Learn more about private 1:1 sessions with Veteran Holistic Vocal Coach: Cari Cole by clicking here

 

Learn more about private 1:1 sessions with our CCVM Vocal Team by clicking here

 

Join our Vocal Freedom Circle: Free Your Voice in 3 Months with our Master Voice Building Techniques and our Vocal Team of voice teachers, coaches and vocal arrangers.

 

We can’t wait to inspire your best voice and share all of our vocal wisdom with you now!